
Why I write
I don’t write because I have the answers. I write because the questions are too heavy to carry alone. The newsletter began as grief work — a way to process loss without pretending the loss was manageable. It expanded, almost inevitably, to include the end of my marriage, because those two experiences became entangled in ways that couldn’t be separated on the page any more than they could in life. Music entered the writing because it always enters life at the moments when words fail — and I’m someone who pays attention to what plays when everything else goes quiet. What connects all of it is a commitment to not looking away. The essays are written without the protective distance of time or resolution. I write about what is happening, or what recently happened, from inside the experience rather than from the safety of retrospect. That’s a deliberate choice: I believe readers recognize the difference between writing that has been tidied up and writing that is still alive.The fault line metaphor

